The data passed is color corrected. It's probably almost automatic correction by machine, but it's interesting because the direction is different from scanning / retouching by yourself and it's difficult to reproduce. It is strange that even a photograph that should have been taken without much thought seems to have been taken with some intention, probably because the color tone of the film is added.
Photographer Kentaro Fukuda. Nikon 28Ti. The film is KODAK ULTRA MAX 400 paddy field. BESSA-R / COLOR-SKOPAR 35mm F2.5 MC. The film is a parking lot from the KODAK ULTRA MAX 400 sidewalk. LEICA M7 / LEICA SUMMICRON 35mm F2. The film is KODAK ULTRAMAX 400Kitamura, a camera, will charge an additional fee for capturing at higher resolutions, reversal film, and medium format 120 film. Of course, you can ask for it, but if you want a higher resolution than I do, I use a film scanner to capture it myself, using what was converted into data at the time of development as a clue. With color negatives, it is difficult to tell what is in which frame at first glance, but you can zoom in on the data to select it, and it will be helpful when deciding on the hue. Converting all the frames into data by yourself is honestly a hassle when considering the removal of dust, and isn't it enough for a little use?
It seems that some people do not need film once it is converted to data, but that is also a record, and if you want to enlarge it greatly, it is better to request printing from a negative film than to digitize it yourself and output it with an inkjet printer etc. It's also good in terms of aspects, so I'd like to keep it.
Data can be converted not only to Kitamura of the camera, but also to Palette Plaza & 55 Station at chain stores, and many DPE stores support it. If you have a DPE shop in your neighborhood, you can consult with us. In addition, there is also a service where you can request and send the film on the Internet, develop it, convert it into data, and send it. It seems that there are some places that offer higher resolution or even monochrome / reversal at a low price. The best way for a store to keep a processor is to keep developing the film. It's not a big deal to support it, but I think it's a waste to not enjoy the film while it's usable.
By converting it to data, it will be easier to handle even in this era. If you have a film camera, why not try it again?