shaking. After all, it may have been caused by the earthquake. From 3.11, insults that lack specificity and those with low feasibility are out of order. The tendency that criticism without a proposal is completely worth considering, and the criticism is forced to emphasize specific things, such as "let's go to vote." I don't know what I want to focus on the clear effect, but that's the case that I want to reward, that is, because everything is being covered by business logic and capital logic. be. Talking about delusions and dreams that will not solve anything directly, it is nothing but imagination itself, but it has never been as difficult as today. It is the reality of reducing imagination by setting the stage on March 11 and later in the movie "Sleeping and Waking" and giving an important role to Sendai. In the same work, Masahiro Higashide plays two roles, but they are realistic, dreamy, those that are not feasible, and those that are not specific. It embodies the conflict with something impossible. The fact that the former has to be selected in the two sections is the reality of modern Japanese that draws "sleeping or waking up".
The fourth work of Tofubeats "RUN", which is the fourth work from the major, has been hardened in the early stages of J -Pop's manners. First of all, while giving the impact of the glimmy title song, the skit is immediately sandwiched, and it is connected to "Fumetsu no Kokoro", which became the theme song of "Denki Girl" and "MOONLIGHT", a pop house tune. Do not neglect to appeal for a wide range of layers. This trend shows reflections that the previous work "Fantasy Club" did not reach "ordinary users" as expected. But for club music listeners, the most exciting songs are the instrumental songs that follow. Tofubeats has long used the house as a bigger source of inspiration, but Run has a strong effect on it. The three songs, "You Make Me Acid", "Return to Sender", and "Bullet TRN", which are well -liked by his DJ Pierre, are Fit of Bodies, Litton & Car -Row, or Against All Like logic, etc., it is possessed by the ghosts of old school houses to secure contact with the current underground trends. Isn't the work that resonates with such an acid in the J -Pop field? Among them, "Return to Sender" reminiscent of Boo Williams' sweet "Summer Love", and after two minutes, the lacrimal glands will loosen. The eighth song, "Newtown", is calling for a sad mood while suppressing such excitement. This song, which is the environment in which he grew up and the former stage name, "New Town", emphasizes Tofubeats's identity, but once again, it once invited vocals. The old town created by the will is re -interpreted as a "new city". It is his style itself, which recycle the past house, and is definitely one of the highlights of this work. After that, the album returned to J -Pop's manners again via "SOMETIMES", which is a policy experiment, but it finally reveals the theme that penetrates the whole work. Surprisingly, in the 10th song "Dead Wax", an auto tune, a synonym, is hiding a shadow. The word "I am the only one" repeated. Ron Rines overflowing. Here, the listener reminds me that the same feeling of Title Truck "RUN" had the same feelings. The vocal that sounds as if the auto -tune was released for a moment at the end of the first verse. The phrase "when running alone" sung there.
Why is Tofubeats's new work entitled "RUN"? What exactly does "running" mean? If you've been running a long distance, you'll know, it's neither moving forward nor to shake the past. The runners are always alone. Running is nothing but loneliness. That's exactly the theme of this Run. It is also revealed that this work is the first album for Tofubeats. That doesn't mean that this album is closed. This work includes a tie -up song of "Denki Girl" and "Sleeping or Waking up", suggesting that external intentions are involved in the creation. It would have been influenced by the people I met in that involvement. Or some books that he read during the production must also play a major role. The important thing is that Tofubeats had to be alone in organizing, absorbing, and sublimating the inspiration and ideas from them. Music is expression. Therefore, it is directly linked to the problem of imagination. In other words, it was necessary to be lonely in order to grab a fragment of an impossible dream.
Auto tune and local voice. Song and instrumental. J Pop and Acid House. Tofubeats are shaking between them. Or hesitate to think that you don't want to be political, but want to reflect the world on the other hand. The appearance is like Asako, who comes between wheat and Ryohei in "sleeping or waking up". At the end of the movie, Asako sprinted in the mountains. A man runs away in front of her. Asako is lonely. Asako, who was called "Kuzu" because she pursued an impossible dream, she did not hide the division, as if she was looking for the horizon of her living. She strives to be lonely while being involved with others. Don't lose the trust in her imagination, being torn off between dreams and reality and being pulled into specific things. I guess that is what Tofubeats, which had a current theme called "Post Truth" in the previous work, is now practicing on this album.